Chris Abrahams - piano
Mike Majkowski - bass
James Waples - drums
Established in 2007, ROIL play their own original style of jazz-inspired improvised music. Their music draws upon a varied pallet; at times it comes close to free jazz, at other times to experimental improvisation, while also referencing other styles such as minimalism and ambient music. A roil piece incorporates aspects of textural improvisation, bringing extended techniques to bear on a collective sound world, while also being melodic and conventionally rhythmic. Bringing together the abstract and the figurative.
''A beautifully weighted trio, full of delicacy, mesmerizing accumulations of detail and engulfing power.'' - John Clare
This performance celebrates their 3rd release 'Raft of the Meadows' (limited edition LP) on the Lithuanian label NoBusiness Records
web link: https://sites.google.com/site/mikemajkowski/roil
"Excellent blend of jazz sensibilities with more abstract textures. All four members of the quartet contribute great things." - Lloyd Swanton
Simon's quartet has been playing his long, sparse compositions for trumpet, piano, bass, and drums for four years. A couple of years ago Eamon Dilworth (another great trumpet player) asked Simon about his influences. The answer is an education. thedilworths.wordpress.com/2010/03/04/top-5-simon-ferenci/
Have a listen here, you can buy a hard copy of the album on the night:
Back for their fourth Colbourne Ave performance, Chris Abrahams, James Waples, and Mike Markovski might be the most creative improvising trio in Sydney. totally UN-composed, completely free jazz by three of sydney's free-est improvisors. Despire their differences in age and history, they clearly understand each other well enough to climb around each others sounds. ROIL mesmerise you with the way they surge together then careen apart, ramming textures and harmonics against each other in ways that would be totally destructive in less competent hands.
I like what you get when you search flickr for ROIL
Mike Majkowski, bassist extraordinare, home from Berlin for a couple of weeks.
James Waples, one of the great drummers on the Sydney scene.
Dale Gorfinkel, Melbourne vibes player, for his first Colbourne Ave show.
All three incredible improvisers, masters of invention, creators of instruments and sounds previously unheard. But above all: musicians who listen first then play, who respond as fast as the music can change,who build layers of textured sound onto entrancing, shifting rhythms. I love it.
Chris Abrahams, James Waples, and Mike Markovski - maybe the most creative improvising trio in Sydney. totally UN-composed, completely free jazz by three of sydney's free-est improvisors. Despire their differences in age and history, they clearly understand each other well enough to climb around each others sounds. ROIL mesmerise you with the way they surge together then careen apart, ramming textures and harmonics against each other in ways that would be totally destructive in less competent hands.
I just found this overview of Mike's playing, by John Clare. he quotes ROIL's last gig at Colbourne Ave:
"More recently I heard him in Roil ... The room has a wonderful sound, so good in fact that even when Majkowski played glissando patterns by vooming the palms of his hands on the wood of the bass I thought he was using amplification, but they were all playing acoustically. “How do you do that?” I asked. “A lot practice,” he said. “And the room. Actually I’ve done a lot of work on projection.” Using the bow and, simultaneously, rapid fingers down near the bridge, Majkowski created a maze of high notes and interacting harmonics that took my breath away. Also pings, pops and chattering. The instrument was singing and crying like several voices, and in fact he sometimes projected his own voice into it.
As with The Necks, so with Roil- in this regard at least: it is misleading to say there are no solos, but brief focus on one instrument can be the result of the others suddenly dropping in volume rather than the one shouldering itself into prominence. The isolated instrument suddenly has a kind of supernatural presence. There are a number of Australian contemporary jazz bands in which such a “solo” would be entirely in context. Others of course where it would not be seen to be serving the music."
[John Clare, sima.org.au/2010/10/14/profile-2-mike-majkowsk]
and then he quotes Mike:
“In this regard jazz is dead. But when I play with a trio like Roil I feel I am really playing jazz. In our rehearsals we just play. There’s no verbal dialogue, or very little. There’s no leader. No one is worried about playing over anyone else. We are solving the musical problems in the moment. We got together in 2007 and we weren’t talking about playing gigs. We just enjoyed playing together. Playing no one else’s music."
Wow, exciting! A screening of Emma Franz's documentary about Simon Barker's incredible journey to the heart of South Korea's drumming tradition, Intangible Asset No 82. Followed by a solo performance by Simon, Q & A with Emma, plus a set by Jim Denley / Mike Majkowski.
This event is presented in conjunction with the Sydney Improvised Music Association - the film will start at 7pm and the cost is $25/$15, and you can actually book tickets! check the SIMA website for more info : http://www.sima.org.au
Roil is a collaboration between pianist Chris Abrahams, bassist Mike Majkowsk, and drummer James Waples. Since forming in 2007, this Sydney-based trio has been developing their own approach to jazz improvisation. There is a controlled elegance to Roil’s music — not that this precludes the energetic. The music has an eddying quality that moves between group utterance and multi–stranded counterpoint, a weaving of textures that coagulate to form unified phrases before dispersing once more into the churning invention. ’Meaning’ is its first release and was recorded in one uninterrupted session on 2 April 2008.
ADDRESS
cnr Colbourne Ave and St Johns Road, Glebe ( google map )
WHEN
Thursdays from 8pm
BYO
anything you like - dinner, snacks, beverages, friends (glasses provided).
COST
$20 / $10 concession for all concerts
STYLE
Comfortable lounges, candlelight, all ages welcome.
THE LIST
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